Wednesday, May 15, 2013

Authors for #EarthDay donates $9,100 & mentors over 10,000! #eco #literacy #teachers #kidlit #elemed


Help us celebrate! Our outstanding 2013 Authors for Earth Day participants: April Pulley Sayre, Conrad Storad, Patricia Newman, Yolanda Ridge, Alison Ashley Formento, Mike Graf, Barb Rosenstock, MichelleWorthington, Leslie Helakoski, Dan Gutman, Andrea Alban, Linda Crotta Brennan, Barbara Gowan, Edie Hemingway, Marianne Berkes, Edith Hope Fine, Darcy Pattison and Roxie Munro scheduled school visits across the U.S., as well as in Canada and Australia.

And are you ready for our exciting results? Drum roll please…

·         MENTORED STUDENTS: This year alone over 10, 600 kids voted—and in total we have empowered tens-of-thousands of young readers! The librarian at April’s event was quoted in an article saying how generous it was to donate on behalf of the students and give them “an opportunity to do an authentic research project with real-world impact.”

·         FINANCIAL CONTRIBUTIONS: Our 2013 team donated over $9,100 and brought our total contributions to nearly $25,000! Wow! It’s quite remarkable to think that our eco-minded children’s authors & illustrators have given so much green to our blue marble in just four short years.

·         DONATION RECIPIENTS: We have now supported over 30 conservation organizations! This year the recipients were: Ocean Conservancy, NRDC, Rainforest Conservation Fund, Blue Ocean Institute, Save America's Forests, World Wildlife Fund, Phoenix Zoo Conservation Fund, Desert Big Horn Sheep Society, Rutgers Marine Institute, Pine Jog Environmental Center, San Elijo Lagoon Conservancy, Wildsight, Australian Marine Conservation Society, Panthera, Audubon Society of Rhode Island. There are still a couple organizations to be added but you can see the broad scope of conservation initiatives that our program is funding.

·         BLOG: Let me also take a moment to acknowledge the valuable outreach provided by our most recent A4ED guest-bloggers—Tony Abbott, Lurlene McDaniel and (coming up) Leslie Helakoski.

The A4ED website has been updated and we encourage you to share the link with any librarians or teachers who may be interested in hosting an A4ED event next April.

An ENORMOUS thanks to all who shared their expertise and enthusiasm! Let’s do it again in 2014! 

Monday, April 22, 2013

Environmental literacy shapes Author Day

Authors for Earth Day fans
I celebrated Earth Day with the students at Genevieve Didion K-8 in grand style. The students were curious, the faculty welcoming, and the PTA lunch outstanding (with linen and china, no less)!

To commemorate Earth Day, the students, staff, and I participated in Authors for Earth Day, a grassroots coalition of award-winning children's authors and illustrators who help young readers shape the world around them. The day focused on the type of literacy we associate with reading and writing, but also environmental literacy. Prior to my visit, I forwarded to the students a list of five non-profit conservation organizations I would consider supporting. On Author Day, the students voted and the votes were tabulated. 


Using Jingle the Brass (and willing volunteers)
to demonstrate a railroad concept
Each assembly and writers' workshop throughout the day began with the exciting announcement that 50% of my Author Day fee will go to...(drum roll, please)...the Ocean Conservancy in honor of the students and staff at Didion K-8. 

Book your 2014 Earth Day visit now to celebrate the release of my new ocean science book (to be announced soon)! Visit my website or my A4ED page.






Friday, April 19, 2013

Pioneering iPads in the Classroom #literacy #1:1 #elemed #reading #writing


Teacher Michelle Cordy (@cordym) incorporates iPads into daily instruction for her 3rd and 4th graders. We chatted via Skype about how iPads are assisting in classroom tasks. Her London, Ontario school first became interested in iPads as a means to create ePortfolios for assessment. At first, the school started with laptops, but the additional gear required (headphones, microphones, and cameras) was too complicated for young learners. “The iPad was an incredible shift that allowed for seamless collection of artifacts,” Michelle says in a Feb. 26 blog post on David Fife’s Perspectives 2.0 blog. The iPad allowed seamless integration of writing, reading, video, and pictures.

How does Michelle use the  iPad in the classroom?
Michelle finds that the iPad is an excellent tool for writing instruction. “Almost all of their writing is done on their devices,” she says. A brainstorming app allows students to record their ideas in a graphic-style organizer. With a tap of a button, “the ideas swoosh into outline form.” Students can then swipe between their outline and Pages (a word processing app) as they create their sloppy copy. “Some kids still hand-write their sloppy copy,” Michelle says. For these students, typing is still too much of a chore.

In a recent math assignment, students wrote multiplication jingles to help them remember their times tables and set the jingles to a rhythm produced in the Garage Band app. Although Michelle admits that the resulting recordings are not of stunning professional quality, the students developed a high tolerance for revisiting the same piece of media over and over, which in turn cemented their multiplication facts. “You haven’t read until you’ve reread,” Michelle says. [Visit Michelle’s blog, Hack the Classroom, for student examples.}

What makes an iPad-worthy project? Three examples:
1.      At the start of each day, students choose print books for silent reading. Michelle admits she used to ask students to conduct their reading on the iPads, “but a kid holding a device looks exactly like a kid not doing their work.”

2.      Each student has a dedicated device, but students are not on their devices every hour of every school day. Michelle takes a balanced approach to iPad use. “I make pedagogical moves appropriate to the task,” she says. “There are still some things you need to see in three dimensions. We did a unit on 3D geometry, so we’re not going to use our iPads.”

3.      Michelle finds the iPad useful for lowering barriers to allow kids to produce more work in the classroom. “I think kids spend a lot of time listening to instructions. They spend a lot of time consuming and reading. I think it’s much harder to get them to make their learning visible,” she says. For example, “If I want my kids to read a website about how aboriginals helped pioneers, I email them the link. They go to the link, select the text, and it’s automatically read to them. My kids are reading at a huge range, as low as early grade 1 up to grade 5, but we’re united and grounded by the same curriculum.” The iPad allows students to consume a text with a higher degree of complexity.

What are the challenges to using iPads in the classroom?
1.      1:1 student iPads does not mean the classroom is paperless. “Why would I digitize a handout?” Michelle says. “It doesn’t make it better (besides saving a tree). There is still a place for books, pens, pencils, and paper handouts.”
2.      Students must learn proper file-naming conventions so Michelle can identify their work. “If there’s no name on an adventure story one of my kids wrote, it’s like teacher CSI. I don’t even have their handwriting to figure it out,” she says with a laugh. Michelle needs to develop the digital equivalent of a Trapper Keeper.
3.      There is a steep learning curve to being the school’s sole 1:1 iPad teacher. “I feel like a pioneer. I’ve arrived in this new land and it seems really great. Pioneers make it easier for people who come along, right?”
4.      As state testing draws near, Michelle’s focus will shift back to pencil and paper tasks.

Who owns the data students produce?
Currently, Michelle posts student work to her blog, or the students post to their individual classroom blogs. Videos are hosted on Michelle’s district YouTube account. But what happens when students ask for their work to be deleted? The answer to that question opens up a discussion on how to manage digital rights because nothing is ever truly deleted from the Internet.

How has the iPad affected Michelle as a teacher?
“It’s amazing to put more power in kids’ hands. Especially in my school that has at-risk kids that come from backgrounds that face many challenges. It’s amazing to give them something so empowering that they can place themselves in the world.”

Michelle says it is important for students to understand that they belong in that digital world, because increasingly that is the world. “It’s balanced between a face-to-face world and world that’s mediated through technology, and if they can’t do their border crossing and code-switching between those two worlds, they’re going to be behind in everything.” 

Wednesday, April 3, 2013

Put Choice Back Into #Literacy #elemed #edchat #reading #gtchat #librarians #teachers

While trolling my Twitter feed one day, I found the following tweet by @erinlibrary: "Teaching kids to checkout books when THEY need them, not because they HAVE to." 

WOW! What a concept, right? Promoting literacy with the power of choice! Erin had recently attended a seminar on open libraries by Laura Beals D'Elia (@ldelia), the school librarian at the Pine Glen Elementary School in Burlington, Massachusetts. 

One thing led to another, and Laura agreed to be a guest blogger this month. Her passion for literacy is evident as she discusses her open library program. I challenge you to follow Laura's example to put the choice back into literacy.

My Library is a Matter of Choice
by Laura Beals D'Elia
School Librarian
Pine Glen Elementary, Burlington, Massachusetts
As an adult who loves to read, I could not imagine a situation where someone said to me, “You can’t read that book, it’s too easy for you” or “You can only visit a library on Thursdays between 1:30 and 2:00.”  Yet, these are the inane things adults say to children all the time (and it hasn’t ceased to raise my hackles when I hear them.) I am a reader because I have choice. Choice in what I read, when I read, and how I read. Students need, deserve, require the same choices if they are going to develop into readers for life.

My school library isn’t there for me; it exists for my students and making sure that it is open and available when a student needs it is more important than it being open when I want it. I don’t close for lunch, inventory, or planning time. I let my students know that they are welcome in the library any time of the school day by providing homeroom library passes because sometimes students just want to checkout a book during a time other than their scheduled library class. I know, crazy, right?

Instead of putting limitations on the number of books that students can check out, I teach students to ask themselves three questions: How many books can I carry?, How many books can I read at once?, and How many books can I be responsible for? Readers have control over their own reading lives and it is important that my students learn how to make the best choices for themselves. The second I put a limit on their checkouts is the second I’ve squashed their enthusiasm toward reading.

Here’s another strategy for crushing a child’s love of reading: tell them what they can and cannot read. You will not find leveled readers in my library nor are there any age restrictions on borrowing from certain sections. Any student can borrow any library book regardless of age, reading ability, or interest. When you make a judgment on a child’s reading choice or deny access, you crush his reading spirit. Period.

I reinforce these concepts with my students and my teachers every day. I remind them often, ensuring them that it really is okay to be in the library anytime and to check out what they want when they want it. They’re still used to the old library rules and changing culture is never easy. Sigh. But it’s a battle I’m willing to fight because I see how it is building readers. And that’s my choice.





Wednesday, January 23, 2013

New energy books for The Next Big Thing #nextbigthing #literacy #nature #eco #lrnchat

Thank you to picture book author Danna Smith for inviting me to participate in The Next Big Thing, a global awareness blog campaign originally launched in Australia that highlights upcoming releases from authors and illustrators. Every author responds to (nearly) the same list of questions, so here goes...


  • What are the working titles of your next books? Energy Lab: Biofuels and Energy Lab: Water Power are two books being released this month as part of an alternative energy series.

  • Where did the idea come from for the books? I was contacted by the publisher this time around. I know that sounds unusual, but many nonfiction series often begin within the publishing house.
  • What genre do your books fall under? Nonfiction (Hooray for nonfiction!)
  • What actors would you choose to play the part of your characters in a movie rendition? Hmmm, this is a hard one when it comes to nonfiction. I'm thinking documentary, possibly narrated by Morgan Freeman or Richard Attenborough.
  • What is the one-sentence synopsis of your book? Discover how the world can reduce its dependence of fossil fuels with gasoline from plants and electricity from ocean waves and tides.
  • Who is publishing your books? Biofuels and Water Power are part of Cherry Lake Publishing's Language Arts Explorer series, which applies the NCTE/IRA Standards to science and social studies content. Each book sends the reader on a fact-finding mission, posing an initial challenge and concluding with questions and answers. Through engaging, interactive scenarios, readers experiment with text prediction, purpose-driven research, and creative problem solving--all critical thinking skills--while learning about ways to care for our planet.
  • How long did it take you to write the first draft of each manuscript? When a publisher assigns an author a topic within a series, the lead time is extremely short:  about one month per book. Each book required in-depth research before I could craft a detailed outline and bibliography for approval by my editor. Once the outline was approved, I had about two weeks to actually write the book. I had to drop everything else I was working on to meet my deadlines!
  • What else about the books might pique the reader's interest? I interviewed several eminent scientists and entrepreneurs, including:  a research scientist from Lawrence Berkeley Labs at University of California, Berkeley; a sawgrass plant manager for British Petroleum (BP); scientists and educators at Cornell University who are developing ways to include biofuel research into the public school curriculum; the president of a company that manufactures turbines to capture energy from ocean tides and currents; and a research scientist from the National Renewal Energy Lab.
  • Who or what inspired you to write this book? I accepted this assignment because I enjoy writing about topics related to our environment. I am a new member of Authors for Earth Day, "an international coalition of award-winning children's authors and illustrators, who care about kids and nature—and the future of both. Each participant schedules one A4ED school visit in the month of April and donates at least 30% of that day's speaking fee to a non-profit conservation organization, as directed by a student vote at the author's host school." I will visit Genevieve Didion K-8 in Sacramento on April 19.
  • My next, next big things? Watch for two books about military special ops (fall 2013) and Plastic, Ahoy! (spring 2014)!
Next week, please visit the following authors for their Next Big Thing:  fellow SCBWI regional advisor Judy Goldman, author/illustrator April Chu, and illustrator Hazel Mitchell.

Wednesday, November 28, 2012

Clothing: The Keeping Quilt by Patricia Polacco #picturebookmonth #literacy

A visit with author/illustrator Patricia Polacco
 
Patricia Polacco’s childhood friends received “fat cards” for special occasions. Polacco’s family had no extra money for presents so she drew a wordless story featuring her friend as the main character. The edges of Polacco’s fat cards were bound and sewn like real books. Years later when Polacco sold her first children’s stories, she realized she’d been making picture book dummies or mock-ups all of her life.

Polacco descends from a family of storytellers. “I loved family reunions,” she says, “sitting and listening to the older people talk about the old country, their lives, and their stories.” From an early age, Polacco knew she didn’t learn the way other children learned. Polacco remembers sitting at her grandmother’s knee, listening carefully to her words. “I drew pictures to keep a memory in my head if I knew this was something important to remember.” Even today, Polacco does not usually write out her stories in long hand. She prefers to sit in her rocking chair in the sunroom of her Victorian home in Union City, Michigan. “I was a head-banger and a rocker as a child,” she says. “Rocking is part of my process.” It helps flesh out the details after she picks up what she calls “the scent of the story.” Only after she addresses many of the problems in her mind does she sit at the typewriter and tap out a first draft. [Read more of Patricia's profile.]

Tuesday, November 27, 2012

Pigs: OINK? by Margie Palatini #picturebookmonth #literacy #elemed

A visit with author Margie Palatini
 
Third grade was a special year for Margie Palatini. She remembers, “That was the year I had a teacher who told me I was talented and who nurtured my talent.” As a kid, Palatini made books and produced plays. “I could draw,” she says, “and I communicated my stories through pictures, or I made plays and acted them out.” Because Palatini never actually wrote out the words to her stories, she didn’t consider herself a writer. Looking back on it now, she realizes her books and plays were part of her creative process. “Creativity has to have a soul,” says Palatini, and role-playing gave her the foundation she needed to develop plot and character—essential story elements. [Read the rest of Margie's profile.]

Sunday, November 25, 2012

Monster Hug! #picturebookmonth #literacy #elemed #preschool

A visit with the author/illustrator

David Ezra Stein says, “Before I could read, I would make people read to me. I had this little toddler bed with an orange-stripey pillow. We would sit there and read.” He recalls his grandmother’s voice saying, “I think I can I think I can” from The Little Engine That Could—a strong auditory memory even today. Books grabbed hold of Stein from a young age, pushing him to read more and more. He didn’t discriminate in his choice of readers, either, sometimes drafting friends of his parents—relative strangers really. “Want to go to my room? Read books?” [Read more of David Ezra Stein's profile.] 

Friday, November 23, 2012

School: Noah Webster and His Words #picturebookmonth #literacy #elemed

A visit with the author

Jeri Chase Ferris is a three-time winner of the Carter G. Woodson Award for the most distinguished books for young readers depicting ethnic diversity in the United States. Her biographies delve into the lives of eleven multi-cultural figures, including Noah, Webster, Sojourner Truth, Biddy Mason, Mary Ann Shadd Cary, Marian Anderson and Matthew Henson. Sometimes a line in a newspaper or magazine article will lead Ferris on a quest for information about an unfamiliar person. The acid test of a viable biography for Ferris is her subject’s courage. The courage of her characters inspires Ferris, which in turn inspires her readers. One letter from a young fan says, “You made me see I can be anything I want to be.” According to Ferris, the idea stage is the most difficult. “Lots and lots of times, it’s a dead-end or the person has been done to death so there’s no point in [writing about] him again, but then I find just the right person and our souls meet somewhere and I’m drawn to that person’s life and the hardships that person had to overcome.” [Read more of Jeri Chase Ferris' profile.]

Wednesday, November 21, 2012

Dogs: Skunkdog #picturebookmonth #literacy #elemed

A visit with Emily Jenkins

Skunkdog pays tribute to Domino, a black lab owned by her aunt and uncle, who was according to Jenkins, “an indiscriminate eater” and “chased skunks at my grandmother’s summer house.” Like Skunkdog, Domino was oblivious to the fact that he smelled terrible, but Jenkins created a boy as Skunkdog’s owner to appeal to children. [Read more of Emily Jenkins' profile.]